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Daily Poetry — August 28, 2026

क्या पूजा, क्या अर्चन रे!

Composed by महादेवी वर्मा

Original Hindi

उस असीम का सुंदर मंदिर मेरा लघुतम जीवन रे। मेरी श्वासें करती रहती नित उसका अभिनंदन रे। पद-रज धोने को अनन्त का उमड़ रहा करुणा-जल रे। फूलों की नैवेद्य चढ़ाती मुझ में विकल वेदना रे। धूप-दीप-सा घुल जाता है मेरा यह जलता मन रे। सारे तार झंकार रहे हैं मेरा यह वीणा-वन रे। क्या पूजा, क्या अर्चन रे!

English Translation

That infinite's beautiful temple Is my smallest life. My breaths keep doing Its daily adoration. To wash the dust of its feet, the infinite's, A fount of compassion overflows. Offering flowers as oblation, Is my restless pain within. Like incense and lamp, it dissolves, This burning mind of mine. All strings are resonating, This forest-lyre of mine. What worship, what adoration!
AI Generated

AI Echo (Hindi)

नित नूतन यह भाव सजता, तन-मन की हर स्पंदन रे। किस विधि से मैं भेंट धरूँगी, यह सब है समर्पण रे। हर कण में उसकी ही छवि, हर पल उसका चिंतन रे। यह मौन भक्ति, यह अंतरंगता, यही सच्चा पूजन रे। अविरल धारा प्रेम की बहती, मिटा दे सब बंधन रे। क्या पूजा, क्या अर्चन रे! वह तो स्वयं है कण-कण में, यह कैसा विस्मरण रे!
AI Generated

AI Echo (English)

Daily, this new emotion adorns, Every pulse of body and mind. In what manner shall I offer gifts, All this is surrender. In every particle, His image, Every moment, His contemplation. This silent devotion, this intimacy, This is true worship. An incessant stream of love flows, Erasing all bonds. What worship, what adoration! He is Himself in every particle, What forgetfulness is this!

Literary & Historical Context

“क्या पूजा, क्या अर्चन रे!” is a profound poem by Mahadevi Verma, a prominent figure of the Chhayavaad (Romanticism) era in Hindi literature. Known for her deeply spiritual and mystical poetry, Verma often explored themes of self-surrender, divine love, and the integration of the individual soul with the universal spirit. In this poem, she rejects conventional rituals of worship, asserting that her very existence—her life, breath, pain, and mind—are manifestations and offerings to the 'Infinite'. The poem beautifully conveys the idea that true devotion lies not in external rites but in an inner state of complete surrender and identification with the divine, where every aspect of one's being becomes a temple, an offering, and a hymn. It exemplifies her unique blend of personal anguish and universal spiritual yearning, marking its significance as a beacon of spiritual humanism in Hindi poetry.

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